When using this EQ on the pop track, I liked the sound of cutting some of the Mids with the master output of the ME-1B, while boosting the output of the PE-1C. How you affect the mid-range will depend on the track, but boosting 700Hz to 1000Hz is going to bring the mid-range forward.ĭue to its lack of controls, I probably wouldn’t use this EQ when mastering rap, but it has a great tone nonetheless.
I found for this track, that boosting 100Hz and 16kHz with a moderate Q has some good results. The low frequency and high frequency boosts come in handy when affecting a rap track. The ME 1B has 3 bands to control the mid-range.īoth equalizers offer an output gain dial, meaning you can balance your overall mid-range with your overall high and low ranges by adjusting these dials. This was the sibilance is controlled, but the side channel which doesn’t include sibilance can make up for any of that lost high-frequency range. To my ear, this introduced some fullness and a little warmer of a tone that matched the production well.Īdditionally, I used a dynamic mid-band to attenuate some sibilance, and a side-band to make up for any lost high-frequency presence. On the folk track, I used a mid-band to accentuate the mid-range of the vocal. Linear adds even more depth but lacks some of the forwardness of Natural phase. Natural makes it sound forward and clear, but with depth. The dynamic band in the mid-range works better lower, to accentuate the fulness of the vocal and production.įor this pop track, I like Natural or Medium Latency phase. In this example, I moved the dynamic low-frequency band up to expand some of the punch of the kick, instead of the sub. Just about all the settings used for Rap work well for Pop when using the Pro Q 3. I think Natural or Zero phase works best for rap since linear sounds a bit too clean. This will widen the stereo image of the high frequencies, and make them more dynamic and impressive with a high hat hits. This is best we used as a mid-channel band.Ī similar idea works for the high frequencies – you can create a dynamic band above 5kHz and place it on the side-channel. To be honest, the Pro Q3 will sound great on just about any track due to its versatility, but let’s see why it works for rap regardless.īy making a dynamic band near the kick and bass, you can expand some of those lower frequencies, making them more impressive, even when applying heavy limiting.
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By using 800Hz and 1.8kHz, I was able to bring some of the vocal forward and create a full sounding mid-range.įurthermore, some slight attenuation of the high and low ranges can focus the sound into a narrower spectrum – a technique that is typically only appropriate for folk and lo-fi genres.īy warming the mid-range and taming some of the highs, the Chandler Limited Curve Bender creates a classic and full sound.īands can be made dynamic for compression or expansion.Īnother great function is Gain-Q which creates a relationship between the Q of a curve and its gain, which more closely emulates analog consoles. The curves of this plugin are great for bringing mid-range vocals and instrumentation forward. Chandler Limited Curve Bender on an Indie Folk Track
The classic tone of the EQ works well here, as it gives the clean pop mix some needed character. You can cut some of the sub-frequencies with the low cut, and then boost a little at 91Hz or 150Hz to bring the kick forward a bit. This plugin works well at accentuating some of the Mids of a pop track, as well as bringing the low and high ranges into focus. Chandler Limited Curve Bender on a Pop Track The curve bender can go as low as 35Hz and as high as 20kHz, making it great for accentuating some of the more extreme frequencies.īecause Rap is known for its aggressive eq curve, having this as an option makes the Chandler Limited suitable for rap and trap. When using this plugin on a Rap track, both low and high-frequency amplification is important. Chandler Limited Curve Bender on a Rap Track If you want to hear the audio examples, check out the video embedded above. Let’s take a listen to this plugin on Rap, Pop, and Indie Folk tracks to get a better idea of how they work for specific genres. The left and right outputs can be affected independently.
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